Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
16 work samples. Each credit shows where it came from.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
Tasha was an absolutely amazing talent to work with. She is so incredibly skilled and a pure joy to communicate with. If you bring Tasha into your team you are making one of the best business decisions and completely setting yourself up for success. Tasha delivers!!
Retained source review
Tasha was the best to work with! On time, great work, definitely will be continuing to work with her in the future!
Retained source review
I'm a video editor with 20 years in Premiere Pro and 13 in After Effects, specializing in video podcasts, YouTube long-form, and Shorts that keep people watching. I'm also a creator. I've run Copper Shock Horror since 2016, first as a podcast and now as a YouTube channel, so I edit with retention and pacing in mind, not just clean cuts. What I edit: - Video podcasts, including 30-second cold-open teasers built from the strongest moments - YouTube essay and talking-head videos - Shorts, Reels, and TikToks - Branded titles, lower thirds, and logo reveals in After Effects Clients include the Business of High Ticket Sales podcast, The Marianne Hickman Show, Talk Tips, and The Vocal Connection app launch. I also ran a social media launch for bestselling fantasy author Tracy Hickman that grew his Facebook by 8,000 followers in three weeks. My background is in program management, so you get an editor who hits deadlines, communicates clearly, and doesn't need chasing. I work from transcripts and timecodes, take feedback well, and keep projects organized. Let's make something your audience actually finishes watching.
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