Super Mario Odyssey 2? Or Something Even Bigger?
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
2 historical reviewsHistorical work attribution
Portfolio
22 work samples. Each credit shows where it came from.
Next 3D Mario around the corner?!
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 22The work samples shown above.
- Views reported for the portfolio
- 375.8KThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 3Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Reviews
All reviewsT
The 10 Listers
Historical reviewMitchell was great to work with. Communication was clear, edits were clean, and everything was delivered on time. He understood the style we were going for and made revisions quickly. Would definitely work with him again.
Retained source review
R
Ridebit
Historical reviewExcellent to work with
Retained source review
Skills & specialties
Content specialties
Creative styles
Software
Skills & services
Languages (historical self-report)
About
I’m a video editor focused on story-first editing, the kind that keeps viewers watching, not just clicking. I specialize in long-form and short-form YouTube content, with an emphasis on pacing, clarity, and emotional rhythm. Whether it’s tightening a narrative, improving retention, or refining the overall tone of a channel, my goal is always the same: make the story land better. I’ve worked on content that has generated hundreds of thousands of views, primarily in storytelling-driven formats like video essays, commentary, and branded creator content. I’m comfortable taking projects from raw footage to final delivery, including structure, timing, sound design, and thumbnail collaboration. I work best with creators and teams who care about intentional editing, not over-editing, not trend-chasing, but cuts that serve the audience and the message. If you’re looking for an editor who thinks beyond the timeline and focuses on why a cut works, I’m happy to talk.
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