O QUE EU SINTO COM A MINHA SINESTESIA - PARTE 2
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Historical work attribution
Portfolio
27 work samples. Each credit shows where it came from.
MING É BÁSICA
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
CADÊ A EVOLUÇÃO!?
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
A MELHOR JOGADA DE UNO DE TODAS
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Cê tá meio fedido né?
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
MINGAU VOCÊ É UM MONSTRO
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
E Se eu batesse no Silvio Santos...?
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 27The work samples shown above.
- Views reported for the portfolio
- 4.1MThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 11Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Skills & specialties
Content specialties
Creative styles
Software
Skills & services
Languages (historical self-report)
About
I'm a Video Editor trying to bring storytelling to life be it narrative designs, reactions or gaming videos. YT Channel Manager for streamlined content.
Delivery is not available yet.
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