სატელევიზო გადაცემა პრომო
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Historical work attribution
Portfolio
9 work samples. Each credit shows where it came from.
სამშენებლო კომპანია მზიური გარდენსი 3D მოდელი
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Nike’s AI Powered Commercial
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
მოგზაურობა მოსფლიოს გარშემო ვიზაჯორჯია
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
NEW YARS PROMO
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 9The work samples shown above.
- Views reported for the portfolio
- 119.4MThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 5Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Skills & specialties
Content specialties
Creative styles
Software
Languages (historical self-report)
About
I’m a Senior Video Editor with 15+ years of professional experience in television, documentaries, news, promotional content, and digital media. I specialize in long-form storytelling, transforming raw footage into clear, engaging narratives with strong pacing and attention to detail. I work primarily in Adobe Premiere Pro and After Effects, with experience in color grading, sound design, motion graphics, multi-camera editing, and post-production. My background in television has trained me to work efficiently with large amounts of footage, meet tight deadlines, and collaborate with producers, directors, and other editors. I’m comfortable working independently and taking a project from raw footage through final delivery. I’m currently expanding my work with international clients and YouTube-focused projects, bringing professional broadcast and documentary editing experience to digital storytelling.
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