EVIL BABY IS BACK WITH HIS BROTHERS | The Baby in Yellow (Act 4)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
6 historical reviewsHistorical work attribution
Portfolio
337 work samples. Each credit shows where it came from.
GETTING LOST IN THE FOREST | Forest Ranger Services
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 337The work samples shown above.
- Views reported for the portfolio
- 41.9MThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 16Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Reviews
All reviewsB
B.D.A. Law
Historical reviewA great professional, efficient and reliable.
Retained source review
M
Mr Football
Historical reviewFenrok has been an awesome editor to work with, always on time, super reliable, and consistently delivering high-quality videos and thumbnails. His edits are clean, engaging, and he knows exactly how to highlight key football moments to keep viewers hooked. Additionally, his thumbnails always look sharp and effectively help the videos stand out. Definitely recommend!
Retained source review
Skills & specialties
Content specialties
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Software
Skills & services
Languages (historical self-report)
About
I’ve been working as a professional Video Editor for over 3 years, specializing in Adobe Premiere Pro and After Effects. In this time, I’ve collaborated with more than 20 clients across YouTube, brands, and creators, delivering everything from short-form edits to cinematic videos. My goal with every project is not only to edit but to help shape content into something that connects with audiences. Deadlines are my number one priority. No matter how creative or detailed an edit is, it only matters if it arrives on time. Alongside that, communication is key. I keep my clients updated throughout the process and make myself available whenever needed, ensuring a smooth workflow and reliable results. Over the years, I’ve also gained experience in channel management and strategy, helping creators improve their consistency, style, and audience engagement. I believe editing is more than just cutting clips — it’s about telling a story, creating rhythm, and presenting content that feels professional while still staying true to the creator’s voice. Even as I’ve expanded into working with larger teams and long-term clients, I continue to edit regularly to keep my skills sharp and stay up to date with new styles and formats. Every project is an opportunity to grow, and I take pride in delivering polished work that makes an impact. The best place to contact me is here on YouTube Jobs or directly on Twitter.
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