Zootopia's Ending is a LIE (and Otterton Proves It)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Portfolio
6 work samples. Each credit shows where it came from.
Interstellar's Villain Was A Prophet (and the POEM proves it)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Arthur Knew Cobb Was Dreaming (and the Ring Proves It)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
TENET's Entire Story is a LIE (and Neil Proves It)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Chef Gusteau Was A FRAUD (And One Word Proves It) | Ratatouille
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Oppenheimer NEVER Said No to Hiroshima (and Truman Proves It)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 6The work samples shown above.
- Views reported for the portfolio
- 6.5MThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 1Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Reviews
All reviewsR
Reviewer
Historical reviewRetained source review
Skills & specialties
Content specialties
About
I'm Poggy. I built my film-analysis channel from zero to ~100,000 subscribers and 12.9M+ views, and I did every job on it myself: ideation, research, scriptwriting, voice-over, editing, thumbnails, titles, and community. That means I've run a channel end to end as producer, creative director, and channel manager - not in theory, but with the numbers to back it. My catalog is built to last: videos like Zootopia (2M), Interstellar (1M), and Inception (954K) still pull tens of thousands of views a day years after release, because each one is engineered around a clear thesis, a strong hook, and a retention-first structure. I know YouTube's levers cold - packaging, SEO, thumbnails, titles, watch-time, and the recommendation system - and I know how to turn a format into a repeatable, compounding system rather than one-off hits. I'm after remote, part-time/contract work as a Producer, Creative Director, or Channel Manager, ideally in film, entertainment, or documentary. I work fast, take feedback without ego, and I obsess over what makes people click and keep watching.