Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
8 work samples. Each credit shows where it came from.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
Retained source review
Retained source review
Edward is a sound engineer and designer who works in audio post-production for film and media. He has composed and designed atmospheric environments for Sedimentary Noise, an independent film which showcased in Yerba Buena Center for the Arts and the Grace Cathedral in San Francisco, CA. He currently worked and now often freelances along side interactive visual and sound artist, Kadet Kuhne, at Audible Shift Post-Production Sound Studio as an assistant sound engineer for numerous independent films and documentaries such as: Null Extension, More Than T, and Twenty years of Defending the Amazon. He has completed his Bachelor of Science in Audio Production from The Art Institute of California - San Francisco.