Only the latest reported video date is available. Other cells are missing coverage.
Professional timeline
AbominableDates not recorded
Projects Include: Mystery Science Theater 3000 (Director: Joel Hodgson) / Do You Want To See A Dead Body (Directors: Nick Jasenovec / Alex Fernie) / Drive Share (Directors: Rob Huebel / Paul Scheer) / Infomercials: Giles Vanderhoot (Director: Michael Showalter) / Children’s Hospital S7 Trailer
● Cut episodes working closely with directors to suggest jokes and best performances.
● Managed projects to delivery for a seamless handoff of all picture tracks and audio stems to the final broadcast.
JashDates not recorded
Projects include: Tats, Brew HaHa, Dad Friends
● Brought still storyboards to life by selecting the best of improvised dialogue, adding motion effects, and building an atmosphere with sound design.
● Curate footage to showcase stand up comedy and game show elements, while simultaneously conveying unique show settings
● Synched pre-mastered musical tracks with scenes for music videos, while interlacing the songs into a narrative half-hour story.
Campus Law (LOL Productions + Clams Casino, Director: Chris Osbrink)Dates not recorded
● Cut every episode of the digital short comedy series, containing influences from multiple genres, including fight scenes, musicals, montages, fantasy, thriller, suspense, and romance.
● Used online music databases to locate and select music to properly convey the mood of every moment.
In Good Company (Independent Series, Exec Producer: Calais Campbell)Dates not recorded
● Edited hour long conversations into short, poignant interview sessions with famous NFL athletes, including Rob Gronkowski and Michael Bennett.
● Mastered audio levels to provide a clear dialogue for viewers.
Movie of the Week (Annapurna, Director: Michael Showalter)Dates not recorded
● Built a complete narrative by locating and compiling clips from dozens of well known feature films.
Tig n' Seek (Cartoon Network, Exec Producer: Myke Chillian)Dates not recorded
● Produced radio plays with full sound design and dialogue—blending fi nal voice tracks with self-recorded scratch—to guide storyboard artists and shape episode direction.
● Collaborated with directors and producers during animatic reviews to workshop storyboards and punch up comedic and narrative moments.
● Placed temp scores to elevate tone and provide a clear reference for the show’s composer in both comedic and dramatic scenes.
Warner Bros AnimationDates not recorded
Projects Include: Bugs Bunny Builders (Supervising Producer: Abe Audish) / Urkel Saves Santa: the Movie! (Exec Producer: Wyatt Cenac)
● Partnered with the director to refi ne storyboards, animatics, and pacing—enhancing clarity, comedic timing, and narrative impact while minimizing unnecessary beats.
● Performed scratch dialogue for 50+ characters and resolved animation errors in-house, reducing retakes and supporting a high-quality, cost-effective final picture.
The Paloni Show! Halloween Special! (Titmouse + Hulu, Exec Producer: Justin Roiland)Dates not recorded
● Crafted and delivered animatics with an incredibly quick turnaround.
● Chose takes of improvised dialogue to generate the funniest and most natural delivery.
Order of the Blazing Horse (Podcast and Social)Dates not recorded
● Record, edit, and publish full episodes and clips across major platforms including Apple Podcasts, Spotify, YouTube, and social media channels.
● Create engaging animations, sound design, and keyword-optimized titles to maximize discoverability and viewer retention.
● Identify high-impact moments from long-form content and shape them into platform-specific shorts designed to drive viral engagement.
BT Studio (multiple projects, Director: Doug Thomsen)Dates not recorded
Projects Include: San Francisco Symphony Gala / Assembly AI / Nexus / Mintlify
● Craft compelling video narratives aligning with each client’s brand voice and engagement goals, delivering tailored cuts across web, social, and broadcast platforms.
● Edit multi-format content with custom sound design and color grading to enhance storytelling and maintain visual and tonal consistency across deliverables.
DIY (Independent Film, Director: Heather Turman)Dates not recorded
● Collaborated with the director from pre-production through post to define pacing, tone, and shot selection, ensuring creative alignment throughout the process.
● Managed media ingest,, sync, and organization to streamline workflow and support efficient editorial turnaround.
● Edited multiple cuts with strong comedic timing and suspense, applying sound design, temp scoring, and color correction to deliver a polished final cut on time.