সৌন্দর্য্য মানেই কি শুধু ফর্সা চেহারা?
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
1 historical reviewsHistorical work attribution
Portfolio
9 work samples. Each credit shows where it came from.
Mongla Water Crisis। Documentary। Tariqul Shaikat
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
ShuBaSh Consortium । International Rescue Committee (IRC) । Documentary । Punchforon
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 9The work samples shown above.
- Views reported for the portfolio
- 93.2KThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 6Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Reviews
All reviewsS
Shomoy Mahmud
Historical reviewI worked with him in few projects, both music video and documentary. I like how he understand the feeling of the video and make the story more strong. He always give his best and finish work nicely on time. I really hope to work again in future.
Retained source review
Skills & specialties
Content specialties
Creative styles
Software
Skills & services
Languages (historical self-report)
About
"Storytelling is the key to any form of art," and it's a principle that deeply resonates with my work as a Filmmaker and Video Editor. With eight years immersed in the world of video production, I've cultivated a passion for crafting compelling narratives from raw footage. My Fine Art background from the University of Dhaka provides a unique lens through which I approach each project, emphasising visual aesthetics and contextual understanding. For the past four years, I've been an integral part of 'Punchforon', allowing me to specialise in documentary filmmaking while also contributing to TV commercials and fiction projects. I've had the privilege of directing and editing documentaries for numerous national and international organisations, including the International Rescue Committee (IRC), United Nations Development Programme (UNDP), WaterAid Bangladesh, BBC Media Action, BRAC, and many more. Through these collaborations, I've been able to contribute to meaningful conversations around crucial topics such as the Rohingya Crisis, Gender Equality, Salinity, Mental Health, and the rich history of Bangladesh. I am a firm believer in the power of film to educate, inspire, and drive change.
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