Gareth

I operate as a micro digital agency, utilizing a unified pipeline where speed and high-end quality feed into each other. I don't view my software stack—DaVinci Resolve, Blender, After Effects, Premiere Pro, Photoshop, and Illustrator—as separate applications, but as specialized gears in a single machine. My workflow often starts in Blender, where I generate bespoke 3D environments and assets that would be too costly or slow to film physically. I use Photoshop and Illustrator to fabricate textures and vectors, which I then drive into After Effects for complex motion graphics. For narrative flow, I utilize Premiere Pro for its speed, before finalizing the visual identity with DaVinci Resolve’s industry-standard color grading. Because I have mastered the hand-offs between these programs, I eliminate the friction and bottlenecks typical of larger teams. I don't have to wait for a 3D artist or a colorist to finish a ticket; I simply switch tabs. This allows me to deliver the polished, high-production value of a studio with the agility and rapid turnaround time of a solo operator.