Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
10 work samples. Each credit shows where it came from.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
A retained source record links this person and role to the video. It has not been independently re-verified.
Retained source review
Retained source review
I’m a video editor focused on documentary-style storytelling and working with footage that doesn’t come in perfectly planned or scripted. I’m comfortable stepping into messy, real-world projects and figuring out what the story actually is in the edit. That process is what I enjoy most. I’ve worked in startup and small team environments where speed and clear communication matter. I’m low ego, easy to work with, and I care more about making the project better than protecting my own ideas. I collaborate well across functions and I’m used to working closely with creators, producers, and designers to shape early drafts and iterate quickly. Most of my experience is in long-form and short-form narrative work, often shot in unpredictable conditions. I handle organizing footage, shaping structure, tightening pacing, and using sound and music to support the emotional arc rather than distract from it. DaVinci Resolve is my primary tool, but I’m happy to learn Final Cut, Premiere Pro, or adapt to whatever workflow the team uses. I care about doing solid work, hitting deadlines, and being someone people trust to move projects forward without drama.