GREEN GLASS BLUES
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Historical work attribution
Portfolio
7 work samples. Each credit shows where it came from.
GREEN GLASS BLUES | Trailer
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Double Tap (2022) - Dir. Will Cohn
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
Last Day (short film)
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
GlowDusk🏜️
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
StandStill🌤️
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
WEDDING: Chris & Sean
Historical credit: what this means
A retained source record links this person and role to the video. It has not been independently re-verified.
About these numbers
- Videos reported in the source portfolio
- 7The work samples shown above.
- Views reported for the portfolio
- 2.7KThe source’s total for this person’s listed videos, from an unknown date. It counts public views of those videos, not views this person generated, and is not a live figure.
- Channels associated
- 2Channels linked to this profile in the source record. An association is not a confirmed working relationship.
Skills & specialties
Content specialties
Creative styles
Software
Skills & services
Languages (historical self-report)
About
I am an editor and cinematographer with a Bachelor of Fine Arts in Film Production. My work spans narrative, documentary, and short-form digital content, with a focus on shaping emotionally grounded stories through thoughtful pacing, performance-driven cuts, and clear visual structure. Whether I’m working with scripted scenes, observational material, or performance-based content, I focus on identifying the emotion of a scene and refining rhythm, shot selection, and transitions to support core moments. My experience editing projects built around character-driven storytelling, interviews, and even archival elements has strengthened my ability to distill complex material into focused, engaging narratives. In addition to longer-form projects, I’ve edited short-form reels and social media content designed to maintain audience attention through deliberate pacing, visual variation, and concise storytelling. My background in cinematography also informs my editorial perspective, giving me a strong sense of visual continuity and how coverage can be shaped in post-production. I primarily edit in Adobe Premiere Pro and work within the Adobe Creative Cloud environment for post-production workflows. I value collaboration throughout the editing process and enjoy working closely with directors and creative teams to refine tone, pacing, and narrative clarity from rough assembly through final delivery.
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